Ken Burns discussing His Latest American Revolution Project: ‘We Won’t Work on a More Important Film’

Ken Burns has become more than a historical storyteller; he is a brand, a one-man industrial complex. When he has documentary series premiering on the television, everybody wants a part of him.

The filmmaker completed “countless podcast appearances”, he says, nearing the end of nine-month promotional tour comprising numerous locations, 80 screenings and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”

Thankfully the filmmaker is incredibly dynamic, as expressive in conversation as he is accomplished in the editing room. The veteran director has gone everywhere from historical sites to The Joe Rogan Experience to discuss one of his most ambitious projects: this historical epic, a comprehensive multi-part historical examination that dominated a substantial portion of his recent years and premiered this week on public television.

Classic Documentary Style

Similar to traditional cooking in today’s rapid-consumption era, this documentary series is defiantly traditional, reminiscent of traditional war documentaries as opposed to modern online content and podcast series.

For the documentarian, who has built a career documenting American historical narratives spanning various American subjects, its origin story represents more than another topic but fundamental. “I recently told collaborator Sarah Botstein the other day, and she agreed: this represents our most significant project Burns reflects during a telephone interview.

Extensive Historical Investigation

Burns and his collaborators plus scripting partner Geoffrey Ward drew upon numerous historical volumes and primary source materials. Dozens of historians, spanning age and perspective, offered expert analysis together with prominent academics covering various specialties including slavery, first nations scholarship and the British empire.

Distinctive Filmmaking Approach

The style of the series will feel familiar to devotees of The Civil War. The unique approach included slow pans and zooms over historical images, extensive employment of contemporary scores featuring talent interpreting primary sources.

That was the moment Burns established his reputation; years later, presently the respected veteran of historical films, he can attract virtually any performer. Collaborating with the filmmaker at a New York gathering, acclaimed writer Lin-Manuel Miranda commented: “When Ken Burns calls, you say ‘Yes.’”

All-Star Cast

The extended filming period proved beneficial regarding scheduling. Sessions happened in recording spaces, at historical sites and remotely via Zoom, an approach adopted amid COVID restrictions. The director describes working with Josh Brolin, who made time while in Georgia to record his lines as George Washington prior to departing to other professional obligations.

The cast includes multiple distinguished artists, respected performing veterans, diverse creative professionals, multiple generations of actors, accomplished dramatic artists, British and American talent, Edward Norton, David Oyelowo, Mandy Patinkin, Wendell Pierce, Matthew Rhys, Liev Schreiber, Dan Stevens, Meryl Streep.

Burns emphasizes: “Honestly, this could represent the finest ensemble recruited for any project. Their work is exceptional. Their celebrity status wasn’t the criteria. I got so angry when somebody said, ‘So why the celebrities?’. I explained, ‘These are artists.’ They are among the world’s best performers and they animate historical material.”

Nuanced Narrative

Nevertheless, no contemporary observers remain, photography and newsreels compelled the production to rely extensively on historical documents, weaving together individual perspectives of multiple revolutionary participants. This allowed them to show spectators beyond the prominent leaders of the founders plus numerous additional essential to the narrative, numerous individuals never even had a portrait painted.

The filmmaker also explored his particular enthusiasm for geography and cartography. “Maps fascinate me,” he comments, “and there are more maps in this film than in all the other films across my complete filmography.”

Worldwide Consequences

Filmmakers captured footage across multiple important places across North America plus English locations to preserve geographical atmosphere and worked extensively with historical interpreters. Various aspects converge to present a narrative more violent, complex and globally significant than the one taught in schools.

The revolution, it contends, represented more than local dispute over land, taxation and representation. Instead the film portrays a brutal conflict that ultimately drew in numerous countries and unexpectedly manifested termed “humanity’s highest ideals”.

Internal Conflict Truth

Early dissatisfaction and objections aimed at the crown by American colonists in 13 fractious colonies rapidly became a bloody domestic struggle, setting brother against brother and turning communities into battlegrounds. In one segment, academic Alan Taylor comments: “The main misapprehension regarding the Revolutionary War involves believing it represented a consolidating event for colonists. This omits the fact that Americans fought each other.”

Sophisticated Interpretation

For him, the independence account that “generally is overwhelmed by emotionalism and wistful remembrance and is incredibly superficial and doesn’t have the respect actual events, every individual involved and the widespread bloodshed.”

The historian argues, a movement that announced the transformative concept of the unalienable rights of people; a bloody domestic struggle, pitting Patriots against Loyalists; plus an international conflict, another installment in a sequence of wars between imperial nations for control of the continent.

Contingent Historical Events

Burns also wanted {to rediscover the

Maria Baker
Maria Baker

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